Liberal... You're Next

(apologies due: James Montgomery Flagg)

Now, anyone who knows me will tell you that I'm really not a violent guy by nature at all, but still – I couldn't pretend I wasn't enjoying watching Richard Spencer and other dapper US Nazi big shots being clocked in the street at foto ops. I mean, what the hell; these bastards bring guns to rallies, f'crissake, and Liberals get bent outta shape when some Antifa hangs one on Richard Spencer? Get a grip.

Still, you can't punish the fascists without also going after the collaborators – and Liberal America is right at the top of most decent folks' lists. I've always kinda hoped that once the Antifas get the Nazi issue punched out – look out, Liberals.

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Off your ass, America–time to get your Greek on!

Y’know, I really am jealous of the Greeks – not because of the shape their economy’s in, nor because of the corruption of their government and its servility to capital, nor because of the state-imposed “austerity” programs they struggle against. I’m jealous of the Greeks and other Europeans because they haven’t forgotten how to fight in the streets – unlike US activists, for whom “direct action” these days means standing around, waving signs or holding candles in front of the White House in the dark.

In Greece right now, unionists, students and anarchists are taking on the police, kicking ass and taking names in the streets. They aren’t taking “austerity” lying down. They’ve made the country virtually ungovernable. Meanwhile, in the bad old USA, “progressives” are “fighting” the imminent loss of hard-won social safety nets by waving signs, having vegan potluck dinners and teach-ins, and voting Democratic – in spite of the mountain of evidence that the Democratic Party doesn’t give a rat’s ass about them today (as if they ever did).

I was inspired to do this cartoon after seeing a recent article on Al Jazeera, as well as a large piece in the Washington Post, detailing the extent of the Greek uprising currently going on, as well as the extensive involvement of militant anarchist youth.

C’mon, Americans – off your asses and into the streets. It’s time to get your Greek on!

The Washington Post, 05.14.11, “Into The Arms Of Anarchy”, page A1
The Washington Post, 05.14.11, “Into The Arms Of Anarchy”, continues page A5.

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BLAST FROM YER PAST: Happy Birthday, "Sweet A16"

This Was What Democracy Looked Like

Time once again to fire up the old TARDIS, and dive into this action-packed day of gleeful antiglob frenzy at the IMF, World Bank, and all over downtown DC on April 16, 2000 -- and, unlike the '60s, if you can remember it, you were there!

While the Anticapitalathon's scraggly gaggle is ignored by global capital and its fawning media, now would be a good time to remember more inspiring times -- times when The Movement™ wasn't afraid to protest against a Democratic Administration, times when The Movement™ wasn't cowed and intimidated by the Democratic Party and the AFL-CIO.

In the Spring of 2000, Ralph Nader and the Green Party were calling bullshit on the Democrats and challenging their stranglehold on the US Left, the Democratic Party was pissing in its shoes, and the US Left couldn't have been happier -- as opposed to today, when the US Left is sitting on its hands, and the "progressives" couldn't be happier to be marching over a cliff behind Barack Obama and his cult of personality.

This was a time when The Movement™ was riding high on a wave of energy and solidarity after its victory in the Seattle Rebellion, and was full of hope for bringing about change in our future -- before the Democratic Party got its hooks into us. (D'oh, sorry; I just said "hope" and "change" there, didn't I?)

Episode 1, 09:13




Episode 2, 06:45





Download mpeg4 files: Episode 1, 33.8mb; Episode 2, 27.6mb

A16 Poster Series, from January 2000.

The Spirit of '99

Holy jeez, gang, has it really been ten years already? Phew, now that really makes me feel old. Luckily for me, fiftysomething is the new thirtysomething...or something.

So, when I was asked to design the poster for the Seattle/WTO Tenth Anniversary event here in DC, there was only one thing to do -- another parody of a famous work of art, in this case, a classic of Kitsch Americana, Archibald Willard's iconic Spirit Of '76, the hit of the show at the 1876 Columbian Exposition.



But, aaa-aaaanyway...the big do is on Monday, November 30, at Chief Ike's Mambo Room in Adams-Morgan, 1725 Columbia Road NW, at 7pm; it's a fund raiser for the Washington Peace Center and the Funk The War Alumni Association (for all you ex-college kids who are too old for SDS, but still want to get funky). There'll be the obligatory drinking and party-mix grooves, of course. There'll also be some vintage Seattle/WTO rebellion video running, because we really loves us some anarchy.

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Medium-res jpg image, grayscale, 792k

So, hit the copy shop, mix up the paste, grab your rollers, and hit the streets, kids, and I'll see yer butts down at Chief Ike's on N30!

Fall 2002 IMF/WB "Map"

Part of the '02 IMF/World Bank festivities was a planned widespread, networked civil disobedience around the city of Washington, DC, which organizers hoped would include major highways and subway lines in and out of the city. In order to dramatize the organizers' intent, this poster depicted the entire city of DC squeezed and choked at the various intersections of highways and rapid-transit lines -- or, resembling some kind of weird alien bodily organ, depending on how much Star Trek you've watched.

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Fall 2002 IMF/World Bank Series

By this time, the approach of summer meant one thing: time to get going on the posters for the Fall World Bank/IMF Mobilization! A more militant local outfit, the Anti-Capitalist Convergence, was taking a large part in this year's mobe as many in the movement were becoming dissatisfied with the more "moderate" position of the large NGOs such as Global Exchange, and DC's own Mobilization For Global Justice (originally formed to organize the A16 WB/IMF actions in 2000).



As was customary, my posters for the IMF/WB Mobe sought to be simple, easily-read portrayals of the issues our movement was addressing; in addition, this year I also added a series of images depicting our movement's vision for a peaceful and just society, to shut up all those conservative wags out there predictably whining "we all know what you're against, but what are you for?"

Complete set, Adobe pdf file, 3m

Fall 2001 IMF/World Bank Series

The Fall 2001 IMF/World Bank mobilization was to be our blockbuster sequel to A16, rumored by many to be the biggest mass mobe in town since Vietnam -- Lord willing and the creek don't rise, barring any sudden freakish turn of events -- such as, say, a large airliner or two or three diving into a few really large buildings.

Needless to say, the wheels pretty much came off The Movement's™ wagon very soon after 9/11; the Mobilization for Global Justice and Ruckus Society practically tripped over each other while backing out, citing (as I recall) "respect for the victims" -- even as the neocons and other right-wing freaks at the time were preparing for endless war overseas and endless abuse of the Constitution at home, also out of consideration for "the victims". Luckily, there was ANSWER, which went on with its events, shifting to a pro-civil liberties, anti-war focus for what was previously an anti-globalization mobe, so at least the Left hadn't been totally bullied off the streets by the Neocons and their brownshirt pals in Free Republic and Gathering Of Eagles.

Liberate Labor, high-res jpg image, 1.1mb
Demand Justice, high-res jpg image, 645k
Take Back Your Dignity, high-res jpg image, 1mb
Defend Democracy, high-res jpg image, 1mb
Restore Your Planet, high-res jpg image, 839k

Monkeywrench Grrl

What's especially ironic about this piece was that it was a piece with a World War II patriotic retro-kitsch motif based on the loud, kitschy, big-time phony WWII-era posters on the bus shelters and subway billboards being used to advertise a recent Disney special-effex blockbuster, the infamous Ben Affleck masterwork Pearl Harbor that came out early that summer... a good three months before the real, live, non-ironic, mindless patriotic kitsch seizure following 9/11.



On the purely non-issue-oriented side, a design and technical epic Win. The layout, pose and color came out a perfect match -- I was able to find a high-res scan of the original WWII piece to point-sample my colors from -- and it was also the first time I made serious use of top-highlight and middletone shadow hatching effects, drawn on a sheet of tracing paper with a dark graphite stick, scanned as a separate layer and dropped over the main drawing in Illustrator. I'd been kicking the idea around for a while, playing with it just a bit, but decided to try it whole hog after seeing Van Gogh's La Meridienne at the Musèe d'Orsay a few months before.

High-res jpg image, 1.8mb

"A16" Series

Oh, that old Spirit Of Seattle. Turtles'n'Teamsters everywhere.

But, seriously, folks... the mood and solidarity between different parts of The Movement -- folks like old-line unionists and environmentalists discovering common goals and realizing they were fighting the same fight against the same enemy -- were palpably electric and invigorating in the months following Seattle, and none quite like the personally charged feeling I got when, just a couple of weeks afterwards, I saw the mobilization action call posted in alt.activism for the April IMF/World Bank Meetings in Washington, DC, for April 16, 2000 -- the now-legendary "A16". At last, no more watching for little shreds of TV coverage, of scouring another city's IMC postings -- the revolution circus was coming to my town, and I was going to actually be in it, and photographing and taping it, and telling the story of that week for everybody else out there... and, the wheatpasting. Oh, yeah, the wheatpasting was going to go big-time (during the run-up to A16, the posse and I were followed around the streets awhile by an NBC crew one night after giving a class in wheatpaste-mixing and postering to a bunch of student activists at George Washington University).

Seeing as how the newly-named Lamppost Liberation Front (our regular flypasting posse) were going to go big-time for a big-time event, the event and the mood called not just for a single poster, but a series, a complete iconography that signified concerned groups from all backgrounds uniting for social/economic justice, and all that other good stuff. Once again, I went for an image that everybody knows, usually used to symbolize humanity in some noble, artistic fashion or other. Also once again, I'm far from the first to rip off DaVinci's famous Vitruvian drawing for analogy or satire, but everybody here thought the context was quite "fresh".

This series also appeared on t-shirts sold to benefit the Mobilization for Global Justice. The t-shirts had their own special heroic history; maybe a couple of weeks before A16, the convergence space was raided and shut down by the cops and the fire marshal on trumped-up fire hazard (coleman stove brewing coffee) and explosives (coleman stove tank) charges and, in the process, a large number of the shirts were siezed. We managed to sell the rest, but it several months or so before we got our shirts back, meaning that there are a couple of small surviving batches of brand-new, unwashed, unworn A16 shirts out there at last report.

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Hippie, medium-res jpg image 323k
Office Worker no.1, medium-res jpg image 323k
Student, medium-res jpg image 323k
Office Worker no.2, medium-res jpg image 323k
Anarchist, medium-res jpg image 323k
Fast-Food Slave, medium-res jpg image 323k
Janitor, medium-res jpg image 323k
Environmentalist, medium-res jpg image 323k
Sushi Chef, medium-res jpg image 323k
Help! I'm a Cop! medium-res jpg image 323k

Anarchist Liberty

Give me your Starbuck's, your Gap,
Your Nike Towns full of sweatshop inventory,
Your McDonald's, gobbling profit and craving more,
Send these, and tacky corporate-branded outlet malls to me,
I put my Louisville Slugger through your plate-glass door!

Oh, alright, so I'm not the first to parody Emma Lazarus, but it seemed to fit so well here, and was one of my rare moments of lyric/poetic mockery inspiration; the verse just sort of sprang out of my head fully formed and ready, and it seemed a shame not to use it.

I'd also done several versions of Miss Liberty, but all of them portrayed as a victim, or as being set upon by mobs of born-again rightist nutcakes. This is the first time I'd done her as someone taking direct action on her own behalf, and with a downright awful attitude.



This was a companion piece of sorts to Who Will Control The Government's Guns?, addressing the whole question of corporate property destruction and what constitutes "violence" in the context of the mass actions in Seattle which shut down the WTO meetings that year.

Like Who Will Control..., this was done within a few days -- if not the very day after -- seeing TV footage of the night of November 30 and reading accounts via the Seattle IMC of police violence against nonviolent protests and Seattle city government abuses of the basic civil liberties of the general population. I ended up taking a position on the property destruction issue which, like my gun-law stance, provoked a lot of eyebrow-arching among the old-line "Gandhi Groupie" contingents in The Movement™. Basically, I decided that if no humans were targeted or injured in a Black Bloc-style attack on corporate property, it was OK, and that it didn't constitute "violence". What the hell, I thought; when the windows on big banks and the fronts of Nike Town or Starbucks are smashed all to hell, do all the un-smashed globalized chain stores' windows organize a solidarity commmittee? When the windows on all the Navigators and Explorers are smashed out within five blocks of the WTO meeting, do all the other SUVs organize a collection to cover the repair bills? Besides, what about all the destruction of human lives and communities being carried out by the corporations whose windows were smashed out during WTO Week? Windows are comparitively cheaply and easily replaced.

I also suggested the reactionary Old New Left types consider the acts of the Berrigan Brothers who, by dragging cabinets full of draft records into a parking lot and setting them afire, helped impede business as usual for the Vietnam War, not to mention proabably saved a lot of young guys from dying in Vietnam. I also reminded the Gandhi Groupies to take a look outside the coddled world of US activists, and consider how demonstrations and direct action are done in Europe, Latin America, Asia, and pretty much the entire planet outside of the USA -- the French students in 1968 flipping cars to use as barricades, striking Bolivian miners bringing dynamite sticks to protests because they know the police and soldiers aren't there to protect them.

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